Every Night is Zeke Pujols’ second most-streamed song on Spotify. For old and new fans alike, his smooth Spanglish vibes were an instant hit.
This success story shows how SoundCampaign helped the track gain traction and find its audience early on.
Meet the Artist

Zeke was born in the Bronx in 2002 with Honduran and Dominican roots.
By age two, he was rapping Gasolina. Soon after came ‘La Voz Kids’ auditions, a high school run in ‘In the Heights,’ and TikTok covers that kept going viral.
Most listeners might think Zeke Pujols is just another cover artist. But no, he's beyond that. His sound blends R&B, pop hooks, and Latin percussion. He flips between English and Spanish like it’s one language.
His songs carry stories of love, heartbreak, passion, and growth.
How SoundCampaign Helped Zeke Pujols
Every Night opens with airy trap vocals and pleasant ambient. Later, 808s starts dropping with layered kicks and snares. That's the kind of track you vibe in your car when going through a heartbreak.
When Zeke Pujols targeted the right genres when submitting to curators using SoundCampaign, Every Night landed on 18 playlists.
The Results
Those 18 playlists had 372,000 followers at that time. These numbers are not mass reach. It's a targeted audience of listeners who actually love this kind of music. The song is currently at 3+ million streams, showing Zeke has a loyal fanbase.
The Summary
Zeke Pujols is an artist who grew up with music in his DNA, sharpened his craft through viral covers, and now delivers original tracks that blend R&B smoothness, Latin percussion, and bilingual storytelling.
Every Night proved it. The track hit 18 playlists with SoundCampaign’s help, reaching 372,000 real listeners who actually connected with it and crossing 3+ million streams.
You like the kind of vibe Zeke carries? You can explore more of his tracks on his linktree.

Marketing brain, writer's heart, musician's soul. At SoundCampaign I run SEO, unclog whatever marketing bottleneck is in the way, and write the things that help artists actually get somewhere. I'm a musician too, so most of what I write comes from both sides. When I'm not doing any of that I'm in my broken office, writing and producing, still chasing a sound that might make the charts one day.

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